Fear has a name in Las Vegas, and its name is ... (cue scary organ riff) ... Duke Mollner.
OK, a bit overly dramatic. Still, it is true that, for 17 Halloweens now, Mollner has been scaring the bejabbers out of Southern Nevadans with his Freakling Bros. roster of live-action haunted houses.
When he's not serving as Las Vegas' own fearmeister, Mollner is a baccarat dealer at Bellagio. His seasonal gig is an outgrowth of the decorating Mollner and his wife began doing at their home in 1976 to scare trick-or-treaters.
Fifteen years later, the homegrown attraction morphed to the point where people were coming from all over the valley to see it. So, in 1992, Mollner -- along with his son and his son's friend, and now dubbing themselves the Freakling Bros. -- opened their first commercial effort, the Circus of Horrors, at Sahara Pavilion.
In the years since, the trio's slate of spooktaculars expanded. The Dungeon in 1995. The Black Box in 1996. The Mortuary in 2000. Castle Vampyre in 2004.
These days, the attractions rotate periodically, changing locations throughout the valley. This year, Castle Vampyre is at Sunset Station while two attractions, the Circus of Horrors and The Mortuary, share the United Artists Theaters parking lot at Rainbow Boulevard and Smoke Ranch Road.
The twofer at United Artists is "a real gamble for us. We've never done that before," Mollner said. But he figures value-conscious fright fans will enjoy the gasoline savings and convenience of exploring two haunted houses at the same location.
Mollner says preparing each year's Halloween extravaganzas has become "almost a nine-month deal now, with repair work and marketing and designing."
But, he adds, the basics of a good scare are eternal.
"We're all wired a certain common, basic way," Mollner explains. "So if you apply the same principles to any theme, you're gonna be able to scare people."
Key to the equation are trained live actors who, Mollner says, can fine-tune their moves to the size of a group, change their positions for maximum effect and do whatever else it takes to offer a good fright.
Live-action scares are particularly effective today, "when everybody is so used to video," Mollner says.
"When you walk through a haunted house and every character is live and in your face, that's intimidating, and it's different (from computer-generated effects.). So, from that standpoint, the basics always remain the same."



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